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Rembrandt van rijn
Details of The polish rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
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Rembrandt van rijn
Details of The polish rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
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Rembrandt van rijn
Rembrandt
mk148
Traditonellerweise is to be seen often also Asenat (to the right) although neither the Bible report nor" Josef and Asenat" of its presence
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Rembrandt van rijn
David Playing the Harp before Saul
mk155
c.1655
oil on canvas
130x164.3cm
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Rembrandt van rijn
Self-Portrait with Dog
mk155
1631
Oil on wood
63x56cm
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Rembrandt van rijn
Portrait of Gerard de Lairesse
mk161
Oil on canvas
44x34
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Rembrandt van rijn
Portrait of a young madn holding a book
mk161
Oil on canvas
42x34
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Rembrandt van rijn
Aristotle with a Bust of Homer
mk161
Oil on canvas
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Rembrandt van rijn
The Prophetess Anna
mk164
1631
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Rembrandt van rijn
The Prophetess Anna
mk164
1631
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Rembrandt van rijn
The Sacred Family with angeles
mk166
Toward 1665 Painting al I wave Museum of the Ermitage San
Petersburgo
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Rembrandt van rijn
Christ in Emmaus
nj186
1648 Paris muse you Louvre
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Rembrandt van rijn
Write on the wall
mk191
about 1635
Oil on canvas
167x209cm
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Rembrandt van rijn
Detail of write on the wall
mk191
Oil on canvas
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Rembrandt van rijn
Self-Portrait Drawing at a window
mk214
1648
etching
15.7x12.8cm
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Rembrandt van rijn
The Sacrifice of Isaac
nn09
1634
Oil on canvas
158x117cm
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Rembrandt van rijn
two lod men disputing
mk247
1628,oil on panel 29x23.5 in,72x60 cm,national gallery of victoria,melbourne,australia
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Rembrandt van rijn
anatomy lesson of dr,nicolaes tulp
mk247
1632 ,oil on canvas,66.75x85.25 in,169.5x216.5 cm mauritshuis,the hague,netherlands
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Rembrandt van rijn
self portrait at the age of 34
mk247
1640,oil on canvas,40.125x31.5 in,102x80 cm,national gallery,london,uk
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Rembrandt van rijn
anne of austria with her louis xiv
mk247
c.1640,oil on canvas,47x38 in,120x96.5 cm,chateau de versailles,versailles,france
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| Rembrandt van rijn
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1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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